JUNE MEETING
ITALIAN NATIONAL DAY |
In honor of June 2, the day commemorating the establishment of the
Italian Republic, the Italian Club, will celebrate this festive event with
cake, Asti Spumante, and an address on the state of the Republic of Italy.
Our speaker, Joseph Colagiovanni, will present Current Events
and Developments in Italy. Mr. Colagiovanni, vice-consul for the
Italian Government in St. Louis, is a partner with Bryan, Cave, LLP, as
well as adjunct professor at Washington University Law School where he
teaches Development and Construction Law. Mr. Colagiovanni holds
a B.A. from Brown University and a Juris Doctorate from Boston University
School of Law.
ITALIAN HERITAGE AWARD
During the June meeting, the 1999 Italian Heritage Award will be presented
posthumously to Mr. Ersil Rolfi for his outstanding service to the
community.
Etta Rolfi will accept the award on behalf of her late husband.
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Next Meeting June 16
Cocktails 6:30 PM - Dinner 7:00 PM
Da Baldo's Restaurant
RSVP 644 1645 (Marie Wehrle)
RECAP OF MAY MEETING
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John Karel, Director of Tower Grove Park since 1987, illustrated
how Henry Shaw's numerous trips to Italy influenced the development of
the park. Shaw immigrated to the United States in 1819 at age 19.
By the time he was 39, he had acquired his fortune. He donated the
park to the City of St. Louis in 1868.
During the course of his many travels, Shaw was impressed by the use
of statuary in the gardens of Italy. In 1888, he had two of them
duplicated and placed in Tower Grove Park: one is the statue of Rossini,
the other of Christopher Columbus.
The sights Henry Shaw saw in Italy, particularly the Roman Forum and
the Arch of Titus, influenced the many archways that were placed in the
park. Mock ruins made from remnants of the Lindell Hotel were located
in the park after Shaw's visit to Pompeii. The lions situated at
Grand Avenue are copies of the Lions of Pope Clement XIII at Villa de Medici.
The pedestrian entrance to the park was influenced by the gardens of Villa
Borghese. Numerous other Italian gardens, such as the gardens of Pompeii,
Villa Pia, Boboli, Tivoli, and Villa Adriana gave Shaw many ideas for the
gardens he created.
John Karel will lead a Tour of Tower Grove Park for members and friends
of the Italian Club on Sunday, June 27. The tour will begin at 3:00
PM and will be approximately two hours long. It will emphasize sites
with Italian influence, such as the Palm House and the false ruins.
We will meet at the Director's residence at 4274 Magnolia, at Magnolia
and Tower Grove Avenues, directly across from the Baptist Church parking
lot. Light refreshments (wine, cheese, fruit, etc.) will be served
at the end of the tour. |
HISTORY OF ITALY
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What follows is a brief summary of the events that led to World War
II and to the proclamation of the Festa della Repubblica.
In the context of the grave political crisis following World War I,
from which Italy had emerged victorious but economically ruined, the country
underwent a series of political and social unrest that the weak government
of the period was unable to control. One remnant of the war was however
resolved with the Treaty of Rapallo (1920) by which Dalmatia went to the
new State of Yugoslavia (formed from the break-up of the Austro-Hungarian
Empire) and Italy's possession of Istria was confirmed. Fiume was
also declared a free town but was annexed by Italy only three years later
with a specific agreement between Italy and Yugoslavia.
In this period were founded a number of political parties: Partito
Popolare (1919), by Luigi Sturzo, as a continuation of the Democrazia Cristiana;
Partito Comunista d'Italia (1921, at Leghorn), from a split with the Partito
Socialista, led by Antonio Gramsci; and, finally, the Fasci di Combattimento
of Benito Mussolini, previously a socialist leader and an ardent interventionist.
This latter movement, after having obtained 35 deputies in the 1921 election,
transformed itself into the Partito Nazionale Fascista equipped with a
revolutionary program that, after the episode of the Marcia su Roma
of 28 October 1922, brought Mussolini to the head of a government.
After obtaining a parliamentary majority in the 1924 election and passing
a law increasing the powers of the head of government the following year,
the Fascist dictatorship formally began in 1926 with the abolition of all
other political parties. By such means Mussolini, both on the national
and international level, was able to expand without any further formal
hindrance. In 1929, following the Concordato with the Catholic
Church, he also managed to gain the support (or at least not the hostility)
of the Church itself and through this the Catholic masses, which were equivalent
to the majority of Italians. Such consensus increased also because
of an undoubted improvement in the country's economic condition and a policy
of social reform involving the poorest classes.
The continuation of land reclamation, already begun in the previous
century even before the unification, increased the amount of land under
cultivation with a satisfactory level of basic provisions. Examples
of these initiatives can be found in the battaglia del grano (grain
battle) and the draining of the agro pontino, which produced an
entirely new piece of agricultural territory. At the same time, industry
was being brought up to date and developed, especially after the world
economic crisis of 1929.
The Istituto Mobiliare Italiano was created in 1931 to provide
credit for industry and the Istituto per la Ricostruzione Industriale
(1933) began the era of public intervention in large-scale industrial reform.
In its external policy the Fascist regime especially sought prestige
by further colonial expansion, as that into Ethiopia (1935-36) or participation
in the Spanish Civil War on the side of Franco's forces. Gradually,
Italy's good relations with France, Britain and the Soviet Union (whose
revolutionary government Italy was the first country to recognize) deteriorated,
while her links with Hitler's Germany increased (Rome-Berlin Axis, 1936).
In 1939 the Pact of Steel with Germany, after an initially non-belligerent
phase, inevitably dragged Italy, in 1940, into the tragic events of the
Second World War (1939-45).
Italy's increasingly unsuccessful war, fought on many fronts and against
better trained and equipped armies, overwhelmed Mussolini in 1943, when
he was censured by his own party. He was replaced as head of government
by the Marshall Pietro Badoglio, who immediately signed an armistice with
the allied powers (8 September 1943). The formation of a new government
by Mussolini in Northern Italy, the Repubblica Sociale Italiana
based at Salò, with the support of Germany and in opposition to
the monarchical government (temporarily based at Brindisi) provoked a civil
war. This was brought to an end by the intervention of the allied
armies, the formation of the partisans, the abdication of the king, and,
ultimately, the death of Mussolini.
After an interlude with several national coalition governments and the
provisional rule of Umberto II of Savoy, Alcide De Gasperi of the Democrazia
Cristiana became President of the Council. On 2 June 1946 the
results of the institutional referendum brought to an end the monarchy
of the House of Savoy (its last king, Umberto II, going into exile) and
heralded the republic which was officially proclaimed on 18 June 1946.
Enrico De Nicola was elected as the Republic's first President. Under
the government led by De Gasperi, the first parliamentary assembly to be
freely elected by the people began work on the new Constitutional Charter
that was to come into force on 1 January 1948.
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UN TE` CON MUSSOLINI
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Tea with Mussolini, a 1999 Italian film, is based on the semi-autobiographical
story by the renown director Franco Zeffirelli. Its main character
is Luca, (Baird Wallace), the illegitimate son of a vain, promiscuous businessman.
While growing up in Florence in the 1930s and 1940s, Luca is befriended
by a group of haughty English ladies nicknamed scorpioni, for their
stinging wit. When the war breaks out, all stay in Italy thinking
that no harm can come to them because Lady Hester (Maggie Smith) once drank
tea with Mussolini.
The film is worth seeing for the magnificent sceneries and cast. |
1999 CALENDAR
June 16
Celebration of La festa della repubblica (the national day of
Italy, June 2). Annual report by club member Joseph Colagiovanni,
Honorary Vice Consul of Italy in St. Louis. Presentation of the Club’s
Italian Heritage Award.
July 21
The Millennium. Presentation by Rev. Benedict T. Viviano,
OP, Ph.D., Professor of Biblical Studies, University of Frieburg, Switzerland.
August 18
A Tour of a Roman Forum. A slide presentation by Kevin
Herbert, Ph.D., Professor Emeritus of Classics, Washington University.
September 15
Vicenza, città del Palladio. A slide presentation
by Luisa Gabbiani Flynn, MA., editor of La Rondine.
October 20
Italian Opera. Vito Tamboli, Adjunct Professor,
St. Louis University.
November 17
The Mario Lanza Story. Gerald Early, Ph.D., Professor
of English and African and Afro-American Studies, Department of Arts and
Sciences, Washington University.
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I capolavori della poesia italiana
10. Ludovico Ariosto nacque a Reggio Emilia nel 1474.
Di famiglia nobile, trascorse gran parte della sua vita al servizio degli
Estensi di Ferrara. Fu sempre alla ricerca di una posizione che gli
permettesse più tempo da dedicare agli studi, riuscendovi soltanto
negli ultimi anni della sua esistenza. Morì presso Ferrara
nel 1533. La fama dell’Ariosto è legata al grande poema Orlando
furioso.
Questo sonetto, databile ai primi anni del Cinquecento, è
fondato sul tema dell’amore come carcere nel quale è imprigionato
il cuore di chi ama. Siamo molto lontani dal concetto dell’amore
petrarchesco; qui la donna è un’entità carnale assolutamente
raggiungibile.
Aventuroso carcere soave
di Ludovico Ariosto
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Aventuroso1 carcere soave,
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dove né per furor né per dispetto,
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ma per amor e per pietà distretto2
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la bella e dolce mia nemica m’have3;
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gli altri prigioni4 al volger de la chiave
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s’attristano, io m’allegro: ché diletto
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e non martir, vita e non morte aspetto
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né giudice sever né legge grave,
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ma benigne accoglienze, ma complessi5
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licenziosi, ma parole sciolte
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da ogni fren, ma risi, vezzi e giochi;
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ma dolci baci, dolcemente impressi
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ben mille e mille e mille e mille volte;
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e, se potran contarsi, anche fien6 pochi.
1 (Nel senso di “pieno
di promesse”). 2
imprigionato. 3
mi ha (nel senso di mi tiene, mi segrega). 4
prigionieri.
5
abbracci.
6 saranno comunque pochi.
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OPERE DI ITALIANI AL MUSEO DI ST. LOUIS
25. Giovanni Battista
(Gianbattista) e Giovanni Domenico (Giandomenico) Tiepolo. La
crocefissione.
(Olio su tela, 1745-50)
Gianbattista Tiepolo (Venezia 1696 - Madrid 1770) è forse il
pittore più importante e influente del Settecento europeo.
Questa è l’epoca in cui la Serenissima aveva raggiunto l’apice del
successo nel campo culturale e artistico, mentre la sua potenza commerciale
ed economica era già decaduta. Infatti il periodo del maggior
splendore artistico di una civiltà spesso avviene nella fase del
suo declino. Egli era stato apprendista alla bottega di Lazzarini
ma il suo maestro fu specialmente un altro grande pittore veneziano dell’epoca,
Paolo Caliari, detto il Veronese. La sua fama iniziò nel 1726
con gli affreschi nel palazzo arcivescovile di Udine, che, dopo la recente
restaurazione, si possono vedere in tutta la loro meravigliosa luminosità.
Il successo lo portò in varie città italiane che abbellì
con i suoi dipinti, in Germania e in Spagna, dove morì.
Giambattista Tiepolo sposò Cecilia Guardi, sorella dei pittori
Francesco e Giannantonio Guardi, e da lei ebbe due figli, Giandomenico
e Lorenzo, che l’aiutarono nel dipingere i suoi famosi affreschi.
Dei due il più dotato era Giandomenico (Venezia 1727 - Venezia 1804),
anch’egli pittore di grande talento. Col tempo Giandomenico acquistò
il suo stile particolare che si rivelò soprattutto nella scelta
dei soggetti. Infatti mentre il padre dipingeva grandiose scene allegoriche
e mitologiche, il figlio preferiva il realismo della vita e dei personaggi
di tutti i giorni. La differenza è molto evidente negli affreschi
di Villa Valmarana a Vicenza, dove Giambattista dipinse nella villa principale
e Giandomenico nella foresteria.
La tela della Crocefissione è stata attribuita
dapprima a Giandomenico, poi a Gianbattista, e più recentemente
a tutti e due, cioè è il frutto della collaborazione tra
padre e figlio e rivela elementi stilistici sia dell’uno che dell’altro.
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Otello
DI GIUSEPPE VERDI
All’Opera Theatre of St. Louis
Otello,
insieme a Falstaff, è un’opera composta da Verdi nella sua
tarda età, ed una delle sue migliori. E’ stata descritta come
l’opera perfetta, sia per la musica, sia per il libretto di Arrigo Boito,
sia per l’interpretazione del soggetto shakespeariano, a cui è molto
fedele. Otello è la tragedia della gelosia, fomentata dal
male nella persona di Iago, il quale stimola il sospetto fino alla sua
tragica conclusione.
L’opera è cantata in inglese, come è l’usanza di
questa compagnia lirica, ma la produzione è straordinaria, con cantanti
eccezionali in costumi suntuosi. Le rappresentazioni continuano durante
il mese di giugno.
Chiamate 961-0644 per ottenere ulteriori informazioni. |
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