The Newsletter of The Italian Club of St. Louis
September Meeting
Last Meeting Recap:
Francis of Assisi
Thomas Aquinas
Catherine of Siena
We'll miss Mary Jo
Paul Rava Memorial
Mosaics
Congrats Angelo Sita
Assisi Banquet
L'aurora
Pasta con pesto
TERZA PAGINA
Cantico delle creature
Opere di Italiani
Letture
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La Rondine is published monthly by The Italian Club of
St. Louis
(Click on names for email)
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The Newsletter of The
Italian Club of St. Louis
Internet Edition
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September Program:
Our speaker
will be Professor Mark Weil, Ph.D. Chairman of the Department of
Art History and Archaeology at Washington University. His subject will
be La Roma di Bernini - La Nuova Roma Papale, a timely topic given the
current celebration of the 400th anniversary of Bernini's birth in December
1598 as well as a good preparation for the Pope's coming visit since Bernini
was not only a sculptor but also papal architect from the 1620s until his
death in 1680.
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Many of the famous Renaissance sites seen in Rome today were either designed
by Bernini or inspired by his work. Prof. Weil, a world renowned authority
on Italian art, as well as a popular speaker, brings to us a deep and broad
knowledge of things Italian along with a real love of Italy, her history,
language, culture, and people. |
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RECAP OF AUGUST MEETING
Many thanks to Father Benedict Viviano, OP, formerly at the
Ecole Biblique in Jerusalem and presently Professor of Biblical Studies
at the University of Fribourg, Switzerland for a most interesting, informative,
and challenging presentation stressing the similarities and differences
between Sts. Francis of Assisi, Catherine of Siena, and Thomas Aquinas;
people whose personalities and accomplishments mirrored the similarities
and differences of the stereotypical
Italian persona. Father Viviano, whose family roots are in St. Louis
and who holds a Ph.D. from Duke University, began his talk by asking what
people perceive as typically Italian "characteristics? In effect,
what is the Italian stereotype and how do people think Italians should
be or act?
He then described the lives of three "Italians", Francis,
Catherine, and Thomas, who, although they lived long before the nation
of Italy existed other than as a geographical entity, shared a common Italian
heritage and yet lived lives that were extremely diverse in character.
In his presentation, Father Viviano challenged the notion that saints,
especially these three Italian ones, live stereotypical lives thereby questioning
as well the notion of stereotypical Italian behavior in general.
These three saints, by their energy, their radicalism, their daring,
and their depth, shatter stereotypes and broaden our image of what it means
"to be an Italian". They show us an Italy of ethnic diversity,
spiritual and intellectual depth, of reform and renewal which contradicts
notions of habitual inertia, corruption, quarreling, divisiveness, and
intellectual laziness and timidity. Francis, Catherine, and Thomas reveal
an Italy which both reaches for and achieves the heights. They were all
poets, artists, scholars, and peace makers. Yet their overall greatness
consists especially in their combination of union with God and action in
the world.
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recap of August meeting cont'd:
Francis of Assisi (1182-1226)
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Perhaps St. Francis
represents the basic stereotype of a saint in the minds of most people.
Described by Mussolini as "il piu' santo degl' italiani ed il piu'
italiano dei santi", Francis was a happy-go-lucky poet and the troubadour
of lady Poverty, and his poem, Canticle to the Sun, contributed to the
start of Italian literature.
Yet there was a serious, even a radical, side as well to this man, who
stressed the recovery of some of the central values of the gospel of Jesus;
poverty, simplicity, joy, passionate love of the cross, humility, minority,
and fraternity. He inaugurated a renewal movement that produced many saints
and scholars such as St. Bonaventure, Roger Bacon, Duns Scotus, and William
of Ockham.
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recap of August meeting cont'd:
Thomas Aquinas (1225-1274)
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One of the greatest
Italian scholars and intellectuals, a philosopher and theologian of international
stature, who taught both at the University of Paris and Cologne. He was
born in the area of Naples in a family of aristocratic background descended
from the Swabian imperial dynasty; his cousin was the Holy Roman Emperor,
Frederick II, Hohenstaufen.
Thomas' life certainly broke the Italian "stereotype" as well
as presenting a picture much different than that of Francis. He was more
sober and science-oriented and much less rhetorical, poetic, and "mystical".
When Thomas began to teach, theology was dominated by a neo-Platonic Augustinian
philosophy, individualistic and other-worldly, and not in contact with
the world of nature.
A man of great intellectual courage, Thomas' greatest achievement was
to recreate philosophy and theology on the basis of Aristotle rather than
on Plato and to break with the currently prevalent Avicennist interpretation
of Augustine based on inadequate Latin translations of Aristotle from Sicily
and Spain which Thomas believed were incompatible with the Christian faith.
Thomas commissioned new and more accurate translations and wrote lengthy
commentaries on them, freeing them from Averroistic bias but also making
concessions as applicable. He distinguished carefully between faith and
reason. Faith and reason are not identical but not contradictory with faith
going beyond but not against reason. They are both part of a single truth.
The work of Thomas earned him the hatred of the older generation of
theologians and laid him open to a charge of heresy. After his death, he
was twice condemned by the Archbishops of Paris and Canterbury, but the
charges were annulled by his canonization and elevation to Doctor of the
Church. When the news of his death at Fassanova reached Paris, the old
theologians rejoiced but the lay intellectuals, including artists, arts
students, philosophers, lawyers, and scientists wept. They knew that Thomas
had spent his life for them and his work would keep them in the Church
until at least the time of the Protestant Reformation.
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recap of August meeting cont'd:
Catherine of Siena (1347-1380)
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Italy,
the land of strong women and loving mothers, produced the greatest woman
of medieval Christendom in Catherine of Siena. Another breaker of stereotypes
- whether of Italians, of saints, or of women of her time. Catherine shares
with Francis being co-patron saint of Italy and shares with Thomas membership
in the Dominicans, the Order of Preachers.
In her short life of 33 years , this very young woman accomplished a
number of amazing achievements. For example, from the diplomatic perspective,
she was instrumental in bringing about the end of the 69 years of the "Babylonian
captivity", where the Papacy was under the control of the French crown
at Avignon and succeeded in bringing the Pope back to Rome as well as being
instrumental in the reformation of the papacy. She was also successful
in establishing a peace treaty between Florence and Rome. She was the creator
and leader of the Florentine Dominicans which such people as St. Antoninus,
Savanarola, Fra Angelico, and Fra Bartolomeo.
Catherine was a healer of the sick, nursed Tour of Ne victims of the
plague, went to the hospitals to care for people with leprosy and cancer,
and visited the prisons and accompanied many to their execution. She was
a mystic and received the Stigmata (as had St. Francis) and named a Doctor
of the Church. Perhaps the best example of the stature in which this 33
year old woman was held in her time was that she was named the spiritual
director of seven Carthusian monasteries around Siena. This was unheard
of because canon law forbid women to enter Carthusian houses - however,
in Catherine's case, it was permitted because it was held that "Prophets
are above canon law".
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CLUB SECRETARY
Mary Jo Bertani, has moved from St. Louis to Austin, Texas where
she will be practicing patent law with the firm of Skjerven, Morrill, MacPherson,
Franklin & Friel.
In addition to serving as Secretary, she was the computer wiz who produced
La Rondine each month, a volunteer
for every club activity, and a terrific la befana at the Christmas Party.
We wish to express our heartfelt thanks to her Mary Jo for all of her
hard work, wonderful ideas, warm smile, and gentle good humor. Mille grazie,
buona fortuna e tanti auguri
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PAUL RAVA MEMORIAL LECTURE
In memory of Dott. Commendatore Paul Rava,
the Rava family has endowed a lecture at Washington University. The initial
program will be at 8:00 PM on October 23 and be held in the Women's Building
on the WU Campus.
Professor Franco Fido will speak on Goldoni and eighteenth-century
Venetian culture. The lecture will be in English and all members of the
Italian Club are enthusiastically invited. If you would like additional
information or Campus directions call Gene
Mariani
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TOUR OF THE NEW CATHEDRAL
Mosaics |
November -- This is a bit of advance notice so you can mark
your calendar. In conjunction with our regular October program which will
be on the history of Italian mosaic art, the Club will sponsor a special
guided lecture tour of the New Cathedral and its Museum of Mosaics on Sunday,
November 1 at 2:30 PM. We will have more information in the next issue
of La Rondine |
ANGELO SITA -- NEW PRESIDENT OF UNICO NATIONAL
Congratulations
to member Angelo Sita on his installation earlier this month, at
the organization's convention in Baltimore, as President of Unico National.
Angelo has worked hard for the Italian Community for many years and
this honor is richly deserved
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ASSISI BANQUET IN SEPTEMBER
The St. Louis Chapter of Unico National is sponsoring
a banquet to raise funds for relief of earthquake victims in Assisi, Italy.
Location is the Frontenac Hilton and cost is $75 per person. For information
and tickets, call Marianne Sack |
L' AURORA
di
Marco Furiassi
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Aurora, leggiadra fanciulla,
capelli hai del cielo
ed occhi di luce.
Avvolta di veli turchini
tu vieni dal mare
fugando la notte.
Nascondi le stelle,
traspari la luna
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rinfreschi il vento
Dai voce ai galli,
risvegli i nidi
azzurri l' onde
fai lieve il sonno
annunci il giorno
Tu canti il sole.
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Pasta and Pesto with Potatoes and Green Beans
"When serving pesto on
spaghetti or noodles, the full Genoese treatment calls for the addition
of boiled new potatoes and green beans. When all its components are right,
there is no single dish more delicious in the entire Italian pasta repertory."
Essentials of Italian Cooking
by Marcella Hazan.
Buon appetito
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Ingredients:
Three small new potatoes
Enough homemade pesto for 1-1/2 pounds of pasta
1/2 pound of young green beans
1-1/2 pounds of pasta
Should make enough for six servings:
- 1. Boil the potatoes with their skins on, peel them when done, and
slice thin.
- 2. Snap both ends from the green beans, wash them in cold water, and
cook in salted water until tender - not overcooked but not too hard either.
Drain and set aside.
- 3. Cook spaghetti or fettuccine for six. When draining the pasta, hold
back some of its cooking water and add 2 table spoons of it to the pesto.
- 4. Toss the cooked, drained pasta with the potatoes, green beans, and
pesto and serve immediately.
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A cura di Luisa Gabbiani Flynn
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Anno II, numero 9, settembre
1998
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Con questo numero inizia la pubblicazione delle più belle
poesie italiane dalle origini ai nostri giorni. Ovviamente se una poesia
è troppo lunga o se è già apparsa su questa pagina,
non verrà pubblicata. La prima che a buon diritto rappresenta la
letteratura italiana è il Cantico delle creature (detto anche Cantico
dei Cantici o Cantico di frate Sole) che venne composta da San Francesco
d’Assisi (1182-1226) circa due anni prima della sua morte. E’ probabile,
sulla base di alcune fonti, che il testo fosse accompagnato da musiche
dello stesso Francesco.
CANTICO DELLE CREATURE
di Francesco d’Assisi
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- Altissimu, onnipotente bon Signore,
- Tue so' le laude, la gloria e l'honore et onne benedictione.
- Ad Te solo, Altissimo, se konfano,
- et nullu homo ène dignu te mentovare.
- Laudato sie, mi' Signore cum tucte le Tue creature,
- spetialmente messor lo frate Sole,
- lo qual iorna, et allumini per lui.
- Et ellu è bellu e radiante cum grande splendore:
- de Te, Altissimo, porta significatione.
- Laudato si', mi’ Signore, per sora Luna e le stelle:
- in celu l'hai formate clarite et pretiose et belle.
- Laudato si', mi' Signore, per frate Vento
- et per aere et nubilo et sereno et onne tempo,
- per lo quale, a le Tue creature dài sustentamento.
- Laudato si', mi’ Signore, per sor'Acqua.
- la quale è multo utile et humile et pretiosa et casta.
- Laudato si', mi Signore, per frate Focu,
- per lo quale ennallumini la nocte:
- et ello è bellu et iocundo et robustoso et forte.
- Laudato si', mi’ Signore, per sora nostra matre Terra,
- la quale ne sustenta et governa,
- et produce diversi fructi con coloriti fiori et herba.
- Laudato si', mi’ Signore, per quelli ke perdonano per lo Tuo amore
- et sostengo infirmitate et tribulatione.
- Beati quelli ke 'l sosterranno in pace,
- ka da Te, Altissimo, sirano incoronati.
- Laudato si' mi’ Signore, per sora nostra Morte corporale,
- da la quale nullu omo vivente pò skappare:
- guai a’cquelli ke morrano ne le peccata mortali.
- Beati quelli ke trovarà ne le Tue sanctissime voluntati,
- ka la morte secunda no 'l farrà male.
- Laudate e benedicete mi’ Signore et rengratiate,
- e serviateli cum gramde humilitate.
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OPERE DI ITALIANI AL MUSEO DI ST. LOUIS
16. Domenico Tintoretto. Mosè salvato dalle
acque. (Olio su tela, circa 1585-1590).
Domenico Tintoretto, (Venezia 1560-1635) è il figlio maggiore
del grande pittore veneziano Jacopo Tintoretto il quale, nella tradizione
dell’epoca, aprì una bottega che rimase attiva per più di
sessant’anni in cui lavorarono i suoi due figli maschi, la figlia e il
genero. Domenico riuscì a dipingere nello stile del padre Jacopo
con accuratezza e disinvoltura, come è palese nella drammaticità
e nel movimento di questa composizione; e benché egli sia più
letterale nell’esecuzione dei suoi dipinti e le sue opere non siano particolarmente
notevoli per la fantasia e gli straordinari effetti di luce caratteristici
del padre, non c’è dubbio che deve al padre la sua eccezionale abilità
narrativa, effettuata con stile grandioso e teatrale. Le donne, vestite
nei ricchi costumi veneziani dell’epoca, sembrano uscite per godere il
verde e la frescura della campagna veneta, ma la dinamicità della
composizione e i gesti eloquenti della figlia del Faraone e di Miriam,
la sorella di Mosè, illustrano chiaramente la storia biblica. |
LETTURE
Notte e giorno d’intorno girando, di Vittorio Sgarbi è un libro
per chi ama l’Italia e ne vuol conoscere non solo i luoghi turistici più
noti ma anche le sue recondite bellezze. Il titolo è tratto da Le
Nozze di Figaro, musica di Mozart, libretto di Lorenzo da Ponte, grande
viaggiatore, avventuriero, libertino e italianissimo che scrisse i versi
seguenti come specchio della vita propria e dell’animo del musicista: "Non
più andrai, farfallone amoroso, notte e giorno d’intorno girando,
delle belle turbando il riposo, Narcisetto, Adoncino d’amor". Una
condizione di vita felice e naturale trascorsa inseguendo bellezze perdute
e ripercorrendo l’Italia senza sosta e in tutte le direzioni.
Sgarbi Vittorio, Notte e giorno d’intorno girando,
seconda edizione, Rizzoli, Milano, 1998.
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