SEPTEMBER MEETING
VICENZA, CITTÀ DEL PALLADIO |
About 500 years ago, in the twilight of the Renaissance, there began
to appear near the coast of the Northern Adriatic, near Venice, a group
of country houses unlike any homes ever seen before. They were all
within a radius of about 50 miles, and they were all the work of a single
architect, Andrea Palladio. The son of a miller who began his career
as the apprentice of a stonemason, Palladio grew up to be a dominant figure
in his field not just in his lifetime but to this day.
Toward the end of his career, he wrote a four-volume illustrated book,
entitled I quattro libri di architettura in which he explained his
principles and methods and revolutionized Western architecture. The
book remains a major influence throughout the world even today. What
caused this to happen? Why was the Veneto region the chosen area?
You will learn this and more during the September meeting, when Luisa
Gabbiani Flynn will talk about Palladio and Vicenza, the city where
she lived before coming to the U.S. Although the slide presentation
will be limited to the palaces and villas built by Palladio in the area
around Vicenza, it will provide an understanding of the historical reasons
behind the real estate boom of the sixteenth century and of Palladio’s
place in his world.
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Next Meeting September 15
Cocktails 6:30 PM - Dinner 7:00 PM
Da Baldo's Restaurant
RECAP OF AUGUST MEETING
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Our speaker was WU Professor Emeritus Kevin Herbert,
Ph.D.
with whom we toured ancient Rome's Capitoline Hill and Forum Romanum.
To orient his audience spatially, Herbert began with a slide showing the
city's overall arrangement as it appeared in classical times and identified
the structures that would form the core of his presentation. He focused
first on the Capitoline Hill, then as now the symbol of political power,
for a look at the Temple of Jupiter, Juno, and Minerva. Then
down the Capitoline for a walk through the Forum, beginning with the Basilica
Julia, the site of the law courts of ancient Rome. The Basilica
Julia is a building of extraordinary size in the trabeated style, which
simply means it employed the post and lintel system, a structural design
similar to that used in the earlier Greek temples but able to achieve much
greater spans, because the Romans had developed the use of concrete whereas
the Greeks worked in loose-laid stone. The Basilica Julia greatly
influenced the later design of numerous Christian Churches, with a famous
Roman example, the Renaissance Basilica of Santa Maria Maggiore.
Discussed next was the great triad of the Comitium, Curia and Rostrum
with emphasis on each building's role in the political life of the city.
The Comitium was the gathering place for the comitia, Rome's primary
electoral body and the location of magisterial elections. The Curia
was the customary meeting place of the Senate and was kept intentionally
small so that Senators could clearly follow debates. The Rostrum
was the platform from which speakers delivered their addresses and
was decorated with the prows of ships captured by the Romans at the battle
of Antium (338 BC). Following a quick look at the Temple of the
Deified Julius, erected by Augustus Caesar in memory of Julius Caesar,
assassinated in 44 BC, we saw the Arch of Titus, with reliefs commemorating
the fall of Jerusalem in AD 70, and the great arcuated Basilica of Constantine,
with architecture based on the arch, a structural form perfected by Roman
engineers permitting the spanning of large spaces, that also influenced
the design of numerous Christian Churches, notably the present St. Peter's
Basilica.
Our final stop was at one of the Forum's most sacred spots, the Temple
of Vesta, the college of Priestesses of the Vestal Order, women charged
with maintaining the Sacred Flame of the City of Rome, symbol of the ancient
hearth fire of the Roman family. The flame could never be allowed
to be extinguished, as it guaranteed the power of Rome. The Vestals
were girls of aristocratic families selected to enter the service at the
age of eight or nine for a total of 30 years, after which they enjoyed
a very comfortable retirement. Their commitment was to study the
sacred duties for 10 years, serve as Priestesses for 10 years, and teach
for 10 years. They were also required to remain virgins for the entire
30 years. If a Vestal took a lover and was discovered, she would
be buried alive and the lover executed either by scourging or by being
sewn into a sack with a dog, a cock, a monkey, and sometimes a snake, dragged
down the Gemonian stairs, and thrown into the Tiber.
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L'angolo del presidente
by Gene Mariani
BENVENUTI! |
At the August meeting, Victoria Bottini and James Hughes
were accepted as new members of the Italian Club. We are pleased
to welcome them into our group and look forward to seeing them often at
our meetings. |
COLUMBUS DAY CORPORATION HONORS
GAMBARO AND LoRUSSO
Congratulations to Lino Gambaro, brother of members Joann Arpiani
and Ben Gambaro, chosen by the Columbus Day Corporation to receive its
1999
Spirit of Columbus Award and to Richard LoRusso, selected for
the 1999 Parade Grand Marshall Award.
The Columbus Day Corporation, of which the Italian Club is a member,
celebrates Columbus Day annually with a variety of activities including
a parade in the Hill neighborhood, a festival in Berra Park, the Miss Italian
St. Louis Pageant, and the granting of two awards: The Spirit
of Columbus Award, given to an individual who exemplifies the important
characteristics of Christopher Columbus, and the Parade Grand Marshall
Award, given to an individual of Italian descent for his or her achievements
within the Italian American Community. This year, the Parade and
Festival will be held on Sunday, October 10. |
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A CELEBRATION OF ITALIAN CULTURE
The Federation of Italian American Organizations (FIAO), of which the
Italian Club is a member, is a group of Italian-American organizations
in the St. Louis area dedicated to preserving and promoting Italian culture,
heritage, and values. The FIAO, in conjunction with Niemann-Marcus,
will be sponsoring a month-long celebration of Italian culture in Plaza
Frontenac beginning Saturday, September 25 and extending through Saturday,
October 23, 1999.
The celebration will include displays and presentations on Italian fashion,
arts, music, sports, history, heritage, and .... food, with many local
Italian restaurants and vendors presenting choice product displays, demonstrations,
and purchase opportunities. |
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NEWS FOR TRAVELERS
For those of you who plan to visit Italy, here is a list of recently
reopened galleries and museums, a must for art lovers:
Roma, Galleria Borghese. After years of restoration, the Galleria
Borghese in the park of Villa Borghese was recently reopened and now devotes
space to paintings and sculptures by Bernini, Canova, Caravaggio, Tiziano,
and others.
Genova, Palazzo del Principe. Has been reopened to the public
after a loving restoration by the the Doria Pamphilj family. Visitors
can admire the Galleria di Ponente with stucco decorations, marble, and
frescos, and the famous tapestries of the Battle of Lepanto of 1571.
Andrea Doria, the famous admiral, called artists such as Giovan Battista
Gaulli, Perin del Vaga, Sebastiano del Piombo, and Agnolo Bronzino to decorate
his palace, built at the beginning of the 16th century just outside Genoa
with a view of the sea and surrounded by a garden full of statuary and
fountains.
Roma, Museo Nazionale Archeologico. Newly opened after a 14-year
of restoration. Beautifully illuminated, the museum has one of the
finest collections of frescos, mosaics, statues, bronzes, the living room
of the Villa Livia discovered in 1879 along the Tevere River, jewels, and
other artifacts. There's also a well-stocked book store.
Roma, Palazzo Massimo. After fifteen years of restoration, is
now open to the public: sculptures and portraits from the second
and third centuries AD, mosaics and paintings together with reconstructions
of the splendid interiors of the Casa Farnesina. |
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NEWS FROM ITALY
A study by ISFOL, the Italian Institute for the Development of Professional
Training, indicates that Italians are still more likely to find work in
traditional fields such as banking, medicine or the law than in the reportedly
expanding areas of services and technology.
According to a new report, between 1995 and 1998, employment in banking
and finance rose 13.4 percent, jobs in law soared 21.5 percent and doctors
and other medicine-related figures grew 5.2 percent. The report contained
some other surprises. During the same period, jobs in telecommunications,
an area widely believed to be thriving, dropped by 2.1 percent.
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1999 CALENDAR
September 15
Vicenza, città del Palladio. A slide presentation
by Luisa Gabbiani Flynn, MA., editor of La Rondine.
October 20
Italian Opera. Vito Tamboli, Adjunct Professor,
St. Louis University.
November 17
Anna Morandi, Wax-anatomical Sculptress. Rebecca Messbarger,
Ph.D., Professor of Italian Language and Literature, Washington University.
December 15
Traditional Christmas Party.
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I capolavori della poesia italiana
13. Francesco Berni nacque a Lamporecchio presso Pistoia nel
1497/98. Condusse una vita dura e movimentata in qualità di
segretario di alti prelati e morì avvelenato nel 1535, vittima di
una lotta tra cardinali. Le sue Rime furono pubblicate due
anni dopo la sua morte. In questo sonetto, che fa parte dell’antica
tradizione comico-burlesca, il Berni si prende gioco dell’uso di celebrare
le bellezze della donna amata. La comicità nasce dalla terminologia
raffinata usata per ottenere l’effetto opposto a quello convenzionale.
Chiome d’argento fine, irte e attorte
di Francesco Berni
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Chiome d’argento1 fine, irte e attorte
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senz’arte, intorno ad un bel viso d’oro2
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fronte crespa3, u’ mirando4
io mi scoloro,
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dove spunta i suoi strali Amore a Morte5;
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occhi di perle vaghi, luci torte
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da ogni obbietto disuguale a loro6;
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ciglia di neve7, e quelle, ond’io m’accoro,
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dita, e man dolcemente grosse e corte;
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labbra di latte, bocca ampia, celeste,
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denti d’ebano, rari e pellegrini8,
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inaudita ineffabile armonia;
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costumi alteri e gravi: a voi, divini
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servi d’Amor, palese fo che queste
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son le bellezze della donna mia.
1bianche. 2giallo. 3piena
di rughe. 4guardando la quale. 5le frecce si
spuntano sulla pelle coriacea. 6occhi strabici.
7Bianche. 8Denti neri, radi e portati ad andarsene.
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LA STORIA D’ITALIA
3. L’EPOCA PREISTORICA
All’età del bronzo segue l’Età del ferro, che in Italia
inizia verso il principio del primo millenio A.C., mentre in alcuni paesi
del Medio e Vicino Oriente e dell’Africa settentrionale aveva cominciato
verso la fine del millenio precedente.
Tra le più importanti culture dell’età del ferro sono
la cultura Atestina (Este e Alto Adige), di Golasecca (Varese)
e il Villanoviano, cultura caratterizzata da vaste necropoli a incinerazione
ricche di urne biconiche con corredi funebri talvolta finemente decorati.
E’ probabile che queste fossero popolazioni provenienti dall’Europa orientale
che si erano stanziate nel centro Italia. Secondo alcuni storici,
da questa cultura più tardi si svilupperà la civiltà
etrusca.
LE ANTICHE POPOLAZIONI ITALICHE
E’ durante l’Età del ferro che la popolazione della penisola
esce dalla preistoria ed entra nella storia. Al principio del primo
millenio A.C., in Italia si trovano le seguenti popolazioni: i liguri,
sulla costa che ne porta ancora il nome e nelle valli appenniniche del
nord; i sicani, nell’interno della Sicilia; gli italici
in Calabria; i terramare in Padania; i villanova nell’Italia
centrale; gli umbri nell’odierna Umbria; i veneti nel Veneto
e i messapi e gli iapigi in Puglia, che probabilmente venivano
dall’Illiria (l’odierna Bulgheria).
Altri gruppi dell’Italia centrale e meridionale furono creati dall’unione
di gente locale con gente che proveniva da altre regioni. Questi
furono i sabini, latini, falisci, equi, volsci, ernici e ausoni,
che si insediarono nel Lazio; i vestini, peligni e marsi
che dominarono l’interno dell’Abruzzo; i picenti, marrucini, e frentani
che popolarono la zona adriatica centrale. Il Molise fu popolato
dai sanniti e la Basilicata dai lucani, mentre la Calabria
fu popolata anche dai bruzi e la Sicilia dai siculi.
Durante questo periodo in Italia ci furono contatti sempre più
frequenti con i fenici, presenti specialmente in Sardegna e nella
Sicilia orientale, e con i greci, insediati nell’Italia meridionale.
La colonizzazione fenicia della costa del Mediterraneo occidentale fu limitata
alla Sardegna e alla parte ovest della Sicilia, con colonie puniche a Trapani,
Palermo e Cagliari, città collegate all’antica colonia fenicia di
Cartagine.
I GRECI E GLI ETRUSCHI
I greci arrivarono in Italia nell’ottavo secolo A.C. da Eubea, Argolide,
Locride, Creta e le isole Egee. Si stabilirono sulle coste meridionali,
dalla Campania all’Apulia, e nel sud ed est della Sicilia dove fondarono
colonie prosperose quasi sempre basate sull’agricoltura e il commercio.
A volte si allearono tra di loro per combattere nemici comuni ma più
spesso furono divisi da rivalità di natura politica. Il termine
Magna
Grecia dato a queste colonie si riferisce alla popolazione e civiltà,
non a un’entità politica.
(Continua al prossimo numero.)
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