The ANNOTICO Report
There was the intense competition between Filippo
Brunelleschi and his nemesis Lorenzo Ghiberti to build the dome atop Santa
Maria del Fiore, the Duomo of Florence.
Then, there was the competition encoraged by Pope Julius
II amongst Michelangelo Buonarotti, Raphael, and a slew of others. Quite
an artistic conflagration.
Now, Jake Morrissey defines the lives of Bernini and
Borromini, born a year apart, whose art and architecture still define Rome
and who, at their pinnacle, seemed to take as much delight in ripping down
each other's facades or ripping off one or the other's ideas as they did
in their own genius, all to further the glory of the Eternal City.
Morrisey attempts to introduce Rome's modern-day worshipers
to the genius in their design and the designs behind their geniuses.
By Terry Tazioli
Special to The Seattle Times
Sunday, March 20, 2005
Book Review
"The Genius in the Design: Bernini, Borromini, and the
Rivalry That Transformed Rome"
by Jake Morrissey
Morrow, 320 pp., $24.95
Faced with the latest literary tome on architectural
combat ; this one about 17th-century Italians Gianlorenzo Bernini and Francesco
Borromini, you'd be forgiven if you thought that only over-the-top rivalry
between two masters of the craft could produce buildings of artistry and
wonder.
Or maybe it's just the Italians.
First, about five years ago, came Ross King's "Brunelleschi's
Dome" and his exquisitely detailed story of the intense competition between
Filippo Brunelleschi and his nemesis Lorenzo Ghiberti to build the dome
atop Santa Maria del Fiore, the Duomo of Florence.
Then, King turned around and turned out "Michelangelo
and The Pope's Ceiling," the tale of the creation of Michelangelo Buonarotti's
painting of the Sistine Chapel at the Vatican in Rome. However, in this
case, there weren't just two battling Italians, there was a slew of them:
Pope Julius II ? an arguable architect wannabe ? who commissioned the ceiling
and wanted Michelangelo to design his tomb, too; Raphael, no slouch himself,
who won the honor of sprucing up the papal apartments not too far from
where Michelangelo was working; and the soul of Michelangelo himself ?
seems the great artist did little without a lot of interior hand-wringing.
Quite an artistic conflagration.
Now comes "The Genius in the Design" by Jake Morrissey.
It was Morrissey's quest to define the lives of Bernini and Borromini,
born a year apart, whose art and architecture still define Rome ? and who,
at their pinnacle, seemed to take as much delight in ripping down each
other's facades or ripping off one or the other's ideas as they did in
their own genius, all to further the glory of the Eternal City.
The pair are responsible, at least in part, for the basilica
of St. Peter's; the bandacchino, or vaulting canopy, that stands over the
tomb of St. Peter; as well as several glorious churches, buildings, fountains
and sculptures that dominate guidebooks these days and keep tourists coming
to Rome.
Would that their modern-day worshipers knew the genius
in the design and the designs behind the geniuses.
Morrissey does his best to present a detailed sketch
of each man, in practical and personal terms. And he succeeds. His descriptions
of the men's passions and their art and architecture make for page-turning
reading. No doubt, among Rome-o-philes, the narrative will also bring about
eyes-closed concentration as readers try to recall the men's accomplishments
seen on various trips to the heart of Italy.
If Morrissey's story does that to any great degree, it
should join the happy ranks of books-not-written-to-be-guidebooks, which
turn out to be the best sort of guides of all.
Terry Tazioli is the travel editor at The Seattle Times.:
ttazioli@seattletimes.com
http://seattletimes.nwsource.com/
html/books/2002210787_genius20.html