The ANNOTICO Report
"The Family Has No Border" is much more then just an affectionate
account
of a poor immigrant family journeying from Tuscany to
the New World and
making good: The book is a sincere, heartwarming and
insightful
recollection of honest discoveries made and true emotions
felt. The book's
simple power lies in the telling of a story of family
emigration from the
perspective of a third-generation descendant, who lovingly
pieced together
her family narrative from her Nonna's (grandmother's)
old photographs,
conversations with relatives and several trips to the
"old country."
Perhaps, the ultimate beauty in "The Family" lies in the
power of
rediscovery: rediscovery of a heritage that one older
generation shunned
and another younger embraced.
"There's a stereotype of immigrants that goes like this,"
"The first
generation remembers, the second generation tries to
forget and the third
generation rediscovers."
The book 'The Family Has No Borders,' by Joan Weibel-Orlando,
discusses her
Italian family heritage.
University of Southern California
Daily Trojan
By Tony Chiorazzi
Monday, April 11, 2005
Memories. In Joan Weibel-Orlando´s latest book, she remembers
experiences
with her grandmother from when she was a little girl.
What are some of the challenges of writing a book about
one's family?
"Negotiating the narrative," said Joan Weibel-Orlando,
professor of
anthropology and author of the new book "The Family Has
No Borders: 100
years 1904-2003." "Negotiated narratives are attempts
to decide what to
include or not to include or how to tell or not tell
certain problematic
historical facts in a book about one's family history."
Weibel-Orlando will be discussing negotiated narratives
along with her
reflections on growing up Tuscan-American and rediscovering
her heritage on
Monday at 3 p.m. in Intellectual Commons in Doheny Library.
Family secrets
"Part of the challenge of putting together a negotiated
narrative is you
have to be mindful of family members' feelings and what
they may not want
you to put in your negotiated narrative," Weibel-Orlando
said. For example,
during her research on her family book, Weibel-Orlando
uncovered a number
of long-held family secrets. One secret was the reason
for her
grandparents' economic success in the New World during
the 1920s. It was
not only because of hard work and thriftiness, but also
because of
Prohibition. "But should I make it public in a book?"
said Weibel-Orlando.
"Well, maybe, but you'll have to wait and come to the
book signing to find
out."
Nonna's little drawer
"The Family Has No Border" is much more then just an affectionate
account
of a poor immigrant family journeying to a foreign land
and making good:
The book is a sincere, heartwarming and insightful recollection
of honest
discoveries made and true emotions felt. The book's simple
power lies in
the telling of a story of family emigration to the New
World from the
perspective of a third-generation descendant, Weibel-Orlando,
who lovingly
pieced together her family narrative from her Nonna's
(grandmother's) old
photographs, conversations with relatives and several
trips to the "old
country."
Remembering her grandmother's house from when she was
a little girl,
Weibel-Orlando writes about how some of her fondest memories
were looking
at old photographs with her grandmother.
"I would beg and wheedle until she, finally, would go
to the credenza, open
the middle drawer, take out her collections of photographs
and begin to
tell me, once again, the stories associated with each
of her precious
family images," she wrote.
Weibel-Orlando treasured those family history-sharing
sessions with her
grandmother and said that it helped sow the seeds for
her current book.
Family of students
Weibel-Orlando also has a reputation for bringing her
same love for family
to her students as well. For example, in both of her
classes last semester
Weibel-Orlando held an end-of-the-semester party where
she bought pizzas
for the entire class, said Devon Kliger, a senior majoring
in anthropology
and cinema critical studies.
"She always goes beyond the norm to make her students
feel like part of her
extended family," Kliger said. "You can really tell that
family is
important to her."
Josue Reyes Jr., a senior majoring in anthropology and
student of
Weibel-Orlando's, agreed. Reyes said that Weibel-Orlando
recently helped
him through some personal difficulties by just listening
and offering some
good advice.
"She loves her students like family. That's what I really
like about her,"
Reyes said. "She's very close to all her students."
Indian Country, L.A.
"The Family" is not Weibel-Orlando's first book. "Indian
Country, L.A:
Maintaining Ethnic Community in Complex Society" was
published in 1991 and
is the product of years of fieldwork on modern American
Indians living in
Los Angeles...
Janet Hoskins, professor of anthropology, said that what
is intriguing
about both of Weibel-Orlando's books is that they are
both centered around
heritage issues.
"Her new book shows a labor of love concerning her own
heritage issue,
which is in a sense similar to the kind of thing she
did for Native
Americans," Hoskins said. "And she has brought together
a very impressive
archival of visual material - all the photographs and
documentation."
Precious heirlooms
And there are a lot of photos in "The Family." Many of
them are from family
exchanges between Tuscans in Italy and Tuscans living
in America, both
attempting, across the Atlantic, to keep family ties
alive through the
sharing of family-get-together, wedding and religious
photographs.
"There is still considerable excitement when photographs
of family members
arrive with greeting cards," Weibel-Orlando wrote. "Every
new photograph is
placed in a visible spot for continuous viewing. They
are handled and
treated with the care one usually affords a precious
family heirloom."
Rediscovery
Weibel-Orlando wrote that while growing up, her mother
deliberately did not
teach her sister and her to speak Italian. "It was after
all, 1942 and
wartime. My mother's generation was not interested in
a past they never had
experienced. Rather, they concerned themselves with becoming
110 percent
Americans, of fitting in, of not being labeled Italian
'greenhorns.'"
But what the mother might be ashamed of, the daughter
need not be. Perhaps,
the ultimate beauty in "The Family" lies in the power
of rediscovery:
rediscovery of a heritage that one older generation shunned
and another
younger embraced.
"There's a stereotype of immigrants that goes like this,"
Weibel-Orlando
said. "The first generation remembers, the second generation
tries to
forget and the third generation rediscovers."
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2005/04/11/Lifestyle/Professor.Keeps.It.All.
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