The ANNOTICO Report
"This narrowly focused, devotional film details how a
rag-tag assemblage of
Sunday soccer players defied all odds in achieving an
American dream on the
International Scene."
On June 19, 1950, a ragtag group of American soccer players
who went up
against the best soccer team in the world, England, and
beat them in the
opening round of the World Cup, soccer’s quadrennial
World Series.
The story is even more amazing because the team was picked
only shortly
before the World Cup was to begin in Rio de Janeiro,
Brazil. This film
tells the story of how the players were picked by Bill
Jeffrey, the ten
days they had to try to become a team, and then the trip
to Rio and,
finally, the game itself against England and its star,
Stan Mortenson,
considered the best player in the world at the time.
Although most of the players were recruited from in and
around St. Louis,
then the center of soccer interest in the United States,
Walter Bahr, a
halfback from Philadelphia emerged as the putative coach
and leader of the
team, even though he’s challenged by loudmouth partyboy
“Pee Wee” Wallace.
Bahr was astute enough to realize that the St. Louisians
looked to
goalkeeper Frank Borghi as their emotional leader, so
he enlisted Borghi as
sort of a co-leader. Bahr induced Borghi to accompany
him to recruit Joe
Gaetjens, a Haitian-born kitchen worker, an inspirational
player Bahr was
convinced would make the team competitive (and who scored
the only goal in
the game). Jean-Louis adds spirit and lightness to the
film with a
captivating performance.
Shot on a meager budget in 49 days, director David Anspaugh
and
screenwriter Angelo Pizzo (who collaborated in 1986 on
“Hoosiers,” the best
basketball movie I’ve seen, and 1993’s “Rudy”).
The sequences of the actual games are extraordinarily
realistic,
reminiscent of last year’s “Miracle,” which is the best
sports movie I’ve
ever seen. It’s virtually impossible to determine that
what we are watching
are staged scenes in a movie and not clips from actual
competition. As in
“Miracle,” many of the actors are real soccer players,
which enhances the
realism without resorting to doubles.
[http://www.tonymedley.com/2005/
The_Game_of_Their_Lives.htm]
Leaving behind their wives, girlfriends and families for
New York, Frank
Borghi, Harry Keough, Gino Pariani, Frank 'Pee Wee' Wallace
and Charles
"Gloves" Colombo joined Philadelphian Walter Bahr, Haitian-born
New Yorker
Joe Gatjeans and additional East Coasters for a short
10-day training
period in which these young men from different races,
religions and
backgrounds were forced to see past one another's differences
and become a
full-fledged team.
With the odds considerably against them both abroad and
at home, the U.S.
team arrived in Rio with little training and even less
fanfare. After a
crushing defeat by Spain in the World Cup opener, the
Americans expected
more of the same when they arrived to play England's
highest-ranked team,
which indicated such all-time soccer legends as Stan
Mortensen and Billy
Wright, on June 19, 1950.
But then something remarkable happened: the Brazilian
fans' lack of support
for England, the pre-tournament favorite, buoyed the
Americans on and this
team of underdog athletes, who never knew real victory
and true glory in
all their humble lives, clung to their patriotism and
their love of a
sport, and scored a victory that did more than just provide
an upset
defeat--it opened the door for soccer in the United States.
The American
World Cup of 1950 would soon quietly return to their
families and jobs,
treasuring this historic victory, which would forever
be known to them as
The Game of Their Lives.[
http://www.hollywood.com/movies/
detail/movie/1720358#more]
Most pleased will be proud St. Louisans: The city gets
name-dropped
approximately once a minute, as most of the 1950 U.S.A.
World Cup team
consisted of Italian-Americans from the St. Louis neighborhood
known as The
Hill. (That none of the major actors is Italian or from
St. Louis is a very
unfortunate -:(
East Bay Express
By Luke Y. Thompson
April 20,2005
"The Game of Their Lives" is the second movie in the past
three years with
that title, and also the second about a major soccer
upset during the World
Cup. The first was a documentary about the North Korean
team of 1966; while
it was fascinating, it has yet to find a distributor
in the U.S., possibly
because the notion of depicting patriotic North Koreans
as heroes is not
exactly in vogue right now. The new "Game of Their Lives"
focuses on
Americans and opens this week; among those who realize
that there's more
than one game called "football" in the world, it should
be a major
crowd-pleaser.
Most pleased will be proud St. Louisans: The city gets
name-dropped
approximately once a minute, as most of the 1950 U.S.A.
World Cup team
consisted of Italian-Americans from the St. Louis neighborhood
known as The
Hill. (That none of the major actors is Italian or from
St. Louis is a
minor detail -- it's impressive enough that the movie
was actually shot in
St. Louis and Brazil, rather than some Canadian soundstage.)
Their story
begins, unnecessarily, in the present day, with hilariously
named reporter
Dent McSkimming (Patrick Stewart) recalling the great
triumph he witnessed,
though he turns out to have been a peripheral character
who could not
possibly have seen all the events he's about to relate.
The erstwhile Captain Picard's attempt at an American
accent is a more
daunting challenge than the one faced by the U.S. team
(Robert Duvall's
Scottish accent in the U.K. soccer flick A Shot at Glory
easily trumps
Stewart's similar transatlantic effort), but it is amusing.
McSkimming
recalls the days when he was younger, and played by another
actor, Terry
McKinney, who looks nothing like Stewart but is just
slightly less bald.
(He's also older-looking than he should be -- at the
film's end, we see the
surviving players in the present day, and all look much
older than Stewart,
yet in the past, McKinney appears closer to middle age
than they do.)
For the working-class joes of The Hill, there are a few
obstacles to
conquer before making the team. Frank Borghi (Gerard
Butler, unrecognizable
from his star turn in The Phantom of the Opera) has to
stand up to his
mother's desire to enroll him in embalming school (the
real Borghi has
since returned to the funeral business, where he has
served for over 25
years now). Gino Pariani (Louis Mandylor) initially backs
out because he's
scheduled to get married during the cup matches, but
his family-to-be turns
out to be very understanding. And when the elitist athletes
already signed
to the U.S. team -- among them Walter Bahr (Wes Bentley)
-- use big words
like "Neanderthal," well, you know the simple men are
gonna have to learn
them thar college boys a thing or two.
There's also the specter of racism, which almost prevents
the multitalented
Haitian Joe Gaetjens (Jimmy Jean-Louis) from joining
the team. But viewed
from the perspective of 21st-century filmmakers, the
issue turns out to be
not his skin color, but his pagan religious beliefs,
about which he has an
in-depth, awareness-raising discussion during a turbulent
plane ride. The
only ethnic slurs uttered in the movie are "dago" and
"kraut" -- hard to
believe that the n-word never came up. Rather, the feeling
one gets is that
those who were freaked out by Gaetjens simply thought
he was weird for
wearing sacred beads and doing cartwheels.
Louis Mandylor's brother Costas plays teammate Charlie
"Gloves" Columbo,
which is a little weird -- they share a strong resemblance,
yet are playing
characters who are not related. To the casual viewer
who isn't aware of the
real players, this does create some confusion in keeping
everybody
straight.
There's nothing unpredictable at all about "The Game of
Their Lives",
especially since the match in question against England
is firmly on the
record, but that's not necessarily a bad thing. Most
sports movies -- even
those based on fictitious athletes -- have a predictable
ending anyway. The
writer-director combo of Angelo Pizzo and David Anspaugh
know this well,
having already made Hoosiers and Rudy together. The notes
are expertly hit,
and because it's an international story, they also tug
at the patriotic
heartstrings.
Best of all, the movie doesn't fall into the trap that
other recent soccer
movies have: Both Mean Machine and Bend It Like Beckham
used all kinds of
choppy editing tricks to "speed up" all the in-game footage,
possibly to
camouflage the actors' relative inability. Perhaps because
it's a period
film, no such postmodern trickery is used here -- excitement
is generated
strictly by the actual choreography and the enthusiastic
commentary of a
British announcer (Tim Vickery).
The Game of Their Lives
Opens Friday. Rated PG
Film Director: David Anspaugh
Starring: Gerard Butler, Wes Bentley, Patrick Stewart,
and Jimmy Jean-Louis
Written By: Angelo Pizzo, based on the book by Geoffrey
Douglas
http://www.eastbayexpress.com/
issues/2005-04-20/film/movies4.html