Thursday, September 14, 2006

Book: "La Bella Figura: A Field Guide to the Italian Mind" - Toronto Star

The ANNOTICO Report

 

Yes, I have Reported Reviews before on Beppe Severgnini's "La Bella Figura: A Field Guide to the Italian Mind", but each review seems to approach it from a different perspective, and emphasis, that adds to the books richness.

 

In this one, I particularly liked this anecdote. "I had a student in Scotland tell me that she wanted to marry an Italian. Why? She said, `Because everywhere they look at you, but in Italy they really see you,'" Severgnini recounts.

 

"We hate impersonal relationships. You deal with everyone: the waitress, the policeman. We look at people and talk to them, remember each and every one. Some people find that tiring."

 

 

ITALIAN DOLCE VITA TRANSLATED FOR ALL

 

Italy's boot filled with free-spirited lovers of good food, grand gestures and grandiose relationships

 

Toronto Star

Judy Stoffman

September. 13, 2006.

If you think of grated parmesan, Armani jackets, grappa, Fiat cars or Vespa scooters as Italy's most notable products, Beppe Severgnini will set you straight.

"Italy is the most powerful generator of emotions in the world - a turbo-powered emotions factory," says Severgnini, 49, a highly articulate, silver-haired columnist for the Milan newspaper Corriere della Sera  and a former correspondent for the Economist  magazine. "Emotions for us are not something to be ashamed of."

For those who have the misfortune not to have been born in Italy, Severgnini has written La Bella Figura: A Field Guide to the Italian Mind, published here by Random House Canada, his third book to have appeared in English. Six other books, mostly collections of his columns, have come out in Italian only.

Reading his witty deconstruction of Italian habits and customs, we learn many fascinating things: that Italians feel sorry for anyone who has to walk; that they consider stop signs and red lights at intersections as just a suggestion; that an Italian absolutely must park right next to his destination; that conversation is a performance art accompanied by extravagant gestures, which are codified in an Italian dictionary; that Italians don't like air conditioning; that paying your taxes in Italy signifies a failure of imagination.

"The fine gesture comes easier to us than good behaviour," he writes, adding that Italians have an "` la carte approach" to morality. Italians mistrust credit cards and prefer cash but have happily embraced another modern invention, the telefonino (cellphone). It fits perfectly into Italian life, adding public drama to private affairs when everyone overhears the conversation.

They love good food but eat according to rules that stranieri  (foreigners) will find puzzling: pizza must not be ordered at lunch, grating parmesan over pasta with clam sauce is possibly illegal and a cappuccino cannot be drunk after 10 in the morning.

In a recent interview at Bar Italia on College St. at 11 a.m. - Severgnini was in town to launch his book at the Italian Cultural Centre - the reporter orders cappuccino to put this rule to the test.

"On a wet fall day in Toronto, you can drink cappuccino at 11," he allows. "On a really miserable winter day, you can share a cappuccino with your loved one even in the afternoon. But never after dinner. It's a dogma; there are things in life that cannot be explained."

And pizza? "Maybe if you are a student, you can have for lunch. Or at sporting events - it is happy food."

It is also good for mopping up the alcohol when friends meet for late-night drinks. "In northern countries and at U.S. colleges they do binge drinking without food - we never do that in Italy."

La Bella Figura  is an update of the classic work of the great journalist Luigi Barzini, The Italians, published in 1964. Severgnini acknowledges his debt to Barzini, who died in 1984, by using a quote from his book as his epigraph.

When asked why Italians are so tolerant of political corruption, Barzini has this explanation: parliamentary democracy is a foreign import and Italian people accept that leaders will always act like the Borgias or the Medicis, putting their own interests first and the public interest second.

But it is the warmth of Italians that we northern people envy, and with reason. No other Europeans invest as much energy and time in human relationships.

"I had a student in Scotland tell me that she wanted to marry an Italian. Why? She said, `Because everywhere they look at you, but in Italy they really see you,'" Severgnini recounts. "We hate impersonal relationships. You deal with everyone: the waitress, the policeman. We look at people and talk to them, remember each and every one. Some people find that tiring."

For the English, his country has always represented a place of liberation because "it's a place where people are willing to overlook the rules," Severgnini says.

The Romantic poets Keats, Shelly and Byron all spent time there, as did Robert Louis Stevenson, D.H. Lawrence and E.M. Forster, and their writings bequeathed us an idea of Italy still lodged in our imaginations.

Severgnini was provoked into writing his book in reaction to the sentimental bestsellers of American writer Frances Mayes such as Bella Tuscany: The Sweet Life in Italy, Under the Tuscan Sun and Bringing Tuscany Home. In these lifestyle tomes, the locals are picturesque extras, he says. "She has a stereotype of Italy as a mellow Tuscan paradise."

He is flattered by the attention, he says, but the picture is false.

"Italy is too unruly, too complicated, too interesting to be that paradise. Anyone who comes from America and sinks $4,000 to $5,000 a week into a house will have an unequal relationship with the locals. The Americans want to see a kind of nativity scene with the shepherds all in place."

 

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