Sunday, December 31,

Last Goodbye to Italian Movie Greats who Died in 2006

The ANNOTICO Report

 

Anthony Franciosa jumped between movies and TV, getting an Oscar nomination for "A Hatful of Rain."

 

Italy's Alida Valli seduced Gregory Peck in "The Paradine Case" and Joseph Cotten in "The Third Man."

 

Italian director Gillo Pontecorvo made "The Battle of Algiers," still timely for its dissection of how not to battle terrorist insurgencies.

Joseph Stefano wrote the screenplay for "Psycho" and created the TV series "The Outer Limits."

 

 

Movies: A last goodbye to the movie greats who died in 2006

Sean P. Means
Salt Lake Tribune

December 30, 2006

 

Robert Altman didn't let on during his acceptance speech for a lifetime-achievement Oscar that he had cancer, though the whispers of death were all over his final film, "A Prairie Home Companion." 


Altman was just one of the figures from the movies we lost in 2006.


 We said goodbye to the sultry and strong-willed Shelley Winters and the perky and perfect June Allyson. Glenn Ford was the stalwart good guy in dozens of movies, from Westerns to "The Courtship of Eddie's Father." Red Buttons was first a comedian, but won an Oscar for a serious role in "Sayonara." Jack Palance always played the heavy, and the one time he didn't got him an Oscar for "City Slickers." Maureen Stapleton provided gravitas to Warren Beatty's "Reds," getting an Oscar for her troubles.


Peter Boyle was a dramatic actor ("The Candidate," "Joe") who got laughs as the hulking but hapless monster in "Young Frankenstein." Dennis Weaver was known as a cowboy, but he freaked out Janet Leigh as a freaky motel manager in "Touch of Evil." Chris Penn died the night before one of his last movies, "The Darwin Awards," premiered at the Sundance Film Festival.


Don Knotts always made us laugh, from "The Ghost and Mr. Chicken" to "The Incredible Mr. Limpet." Darren McGavin will live forever every December as the grumpy dad in "A Christmas Story." Jack Warden served on the jury in "Twelve Angry Men" and coached Beatty in "Heaven Can Wait." Bruno Kirby started in "The Godfather Part II," but made his mark as Billy Crystal's pal in "When Harry Met Sally" and "City Slickers."


Jane Wyatt was beautiful in "Lost Horizon," then became TV's most famous mom on "Father Knows Best" (and played Spock's mom on "Star Trek"). Arthur Hill played scientists ("The Andromeda Strain"), doctors ("A Bridge Too Far") and villains ("Futureworld"). Anthony Franciosa jumped between movies and TV, getting an Oscar nomination for "A Hatful of Rain." Japanese-born Mako shattered stereotypes, appearing in everything from "The Sand Pebbles" to "Memoirs of a Geisha."

 

Philippe Noiret worked decades in French cinema, but became famous worldwide as the projectionist in "Cinema Paradiso" and the poet Pablo Neruda in "Il Postino." Italy's Alida Valli seduced Gregory Peck in "The Paradine Case" and Joseph Cotten in "The Third Man." Leon Niemczyk was the husband who battled a hitchhiker in Roman Polanski's debut film, "Knife in the Water."


Some were known for particular film moments. Moira Shearer danced her heart out in "The Red Shoes." Phil Brown survived the blacklists to play Luke Skywalker's Uncle Owen in "Star Wars." Richard Bright was Michael Corleone's bodyguard Al Neri in the three "Godfather" films. Jack Wild played the Artful Dodger in "Oliver!" Bodybuilder Mickey Hargitay did some movies, but was better known for marrying Jayne Mansfield. Andreas Katsulas played the one-armed man who bedeviled Harrison Ford in "The Fugitive." Paul Gleason tormented the kids of "The Breakfast Club" and was the villain in "Trading Places." Robert Earl Jones, besides being James Earl Jones' dad, was Robert Redford's martyred mentor in "The Sting." Phyllis Kirk was pursued by Vincent Price in "House of Wax." Tamara Dobson kicked butt as Cleopatra Jones in two "blaxploitation" classics.


    Director Vincent Sherman worked with Ronald Reagan ("The Hasty Heart"), Errol Flynn ("The Adventures of Don Juan"), Bette Davis ("Mr. Skeffington") and Ida Lupino ("The Hard Way"). Richard Fleischer went for fantasy and science fiction, from "Fantastic Voyage" and "20,000 Leagues Under the Sea" to "Soylent Green" and "Red Sonja." Photographer Gordon Parks became Hollywood's first major black director, making "Shaft" and "The Learning Tree." Val Guest directed such British sci-fi titles as "The Quatermass Xperiment."


    Shohei Imamura brought passion to Japanese films, winning the Palme d'Or at Cannes twice for "The Ballad of Narayama" and "The Eel." Sweden's Vilgot Sjvman courted controversy in the '60s when he brought his sexually explicit "I Am Curious (Yellow)" to America. Perry Henzell directed "The Harder They Come," which introduced many to Jamaican culture. Italian director Gillo Pontecorvo made "The Battle of Algiers," still timely for its dissection of how not to battle terrorist insurgencies.


    Betty Comden co-wrote the scripts and songs for "On the Town" and "Singin' in the Rain." Joseph Stefano wrote the screenplay for "Psycho" and created the TV series "The Outer Limits." Cinematographer Sven Nykvist shot many of Ingmar Bergman's classics, as well as "Sleepless in Seattle" and "What's Eating Gilbert Grape." Production designer Henry Bumstead won Oscars for "To Kill a Mockingbird" and "The Sting" and worked on Clint Eastwood's films from "Unforgiven" to the upcoming "Letters From Iwo Jima." Akira Ifukube composed the music for the original "Godzilla" and created the monster's trademark roar. Dana Reeve didn't live to see the final project she and husband Christopher produced, the animated "Everyone's Hero."


    Nam June Paik pioneered video installation art. Sid Davis went from being John Wayne's stand-in to producing educational films about the dangers of alcohol and taking rides from strangers. Arthur Widmer invented the earliest version of "blue-screen" technology, which took special effects into a whole new age.
    ---
    * SEAN P. MEANS writes a daily blog, "The Movie Cricket," at blogs.sltrib.com/movies. Send questions or comments to Sean P. Means, movie critic, The Salt Lake Tribune, 90 S. 400 West, Suite 700, Salt Lake City, UT 84101, or e-mail at movies@sltrib.com.

 

http://www.sltrib.com/arts/ci_4925720

 

 

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