Tuesday,
August 07, 2007
The
ANNOTICO Report
The
decapitation and mutilation of several famous statues and monumental fountains,
randomly and wantonly chipping off pieces of marble from monuments, spray-painted
graffiti which smother the lower part of the walls of practically every
building in central
These
malicious actions are aided and abetted by the laxity and tolerance of Italian laws.
Not
being oppressed and suffocated by restrictions is devoutly to be wished, AND I
don't general condone corporal punishment, BUT the amputation of a few
fingers may be in order!!!!!! OK , I'll
settle for just breaking them, for first offense.
BBC
News
By David Willey BBC Rome correspondent |
August
5, 2007
A
new spate of vandal attacks upon some of
Vandals are no
strangers in
But
randomly and wantonly chipping off pieces of marble from monuments which have
adorned the city for centuries is something new in recent times.
It began in July,
near the Piazza del Popolo. The feet, arms and faces
of three marble statues, one of them dating back to ancient
They used paving
blocks torn up from the road.
The next target was
the Fountain of the Bees, at the entrance to the Via Veneto. This was built to
the design of the famous Roman 17th Century sculptor Gianlorenzo
Bernini.
Last month, a
passer-by refreshing himself from one of the water
jets flowing into the fountain basin noticed that the head of one of three
giant marble bees perched there had been lopped off, and informed the police.
No-one was able to say for certain exactly when this had happened.
Policing
No arrests have
been made in connection with either of these attacks.
Eugenio La Rocca, who is in overall charge of the conservation of
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|
"No-one
ever goes to prison for this sort of crime," he said. "At most they
get off by paying a small fine. We need to increase the penalties.
"It's
impossible to safeguard all the famous statues scattered throughout the
city."
Milton Gendel, an American art historian and connoisseur who made
"The
classical example of the failure of the authorities to protect the city fabric
was the opening to the public of the gardens of former private villas - Villa Borghese,
Villa Torlonia, and Villa Pamphilij
- which had been filled for centuries with monuments, statuary and
antiquities," he said.
"The statues
were immediately decapitated and maimed. The police were absent, there was no
control. There have been palliative efforts, including a sort of superstitious
belief in technology: if you aim cameras at the monuments, it will protect
them. Well, it can't."
Spray paint
Roberto di Paola,
the architect in charge of
"By
reflecting light on an object, this enables people to read art in an
appropriate way," he told me.
"A
restoration is always a stress upon a work of art.
"The actual
cost of restoring the damage at the Bernini fountain may not be high, but a
damaged work of art always loses value."
Perhaps the most
obvious signs of the new vandalism are the spray-painted graffiti which smother
the lower part of the walls of practically every building in central
The city council
has hired two permanent squads of cleaners, armed with paintbrushes, solvents
and pressure hoses, to go round the city cleaning off the spray paint which
defaces both public and private property.
It is a losing
battle, according to Cecilia Bernardini, a
professional art and stone restorer who accompanies the cleaners on their
rounds.
"The
authorities tell us to give priority to removing any anti-George W Bush or
anti-government slogans or any slander against the police. Many anti-war
slogans are now stencilled directly on to walls to
try to make them more indelible.
"
Fragile
The laxity of the
police in prosecuting graffiti writers is mocked by the writers themselves.
Papik Rossi, a dedicated Roman
skateboarder who counts many writers among his friends, told me: "In
"Graffiti
are just one of those easy things to do in
Milton Gendel said he found "laughable" the idea that
people scribbling on private property are somehow expressing themselves
"and therefore may be part of the art world".
"They are
vandals. Tolerance is too broad in
That seems to be
the nub of the problem. The whole fabric of the city of
The choking
traffic pollution, the hordes of tourists tramping around, the mostly teenage
graffiti writers and the new wave of random vandals are - each in their own way
- threatening a unique urban environment, where the history of the past 2,000
years is written in stone all around you.
The eternal city
- despite the major clean-up and face-lift it underwent for the Jubilee of 2000
- is suddenly beginning to look very vulnerable.
http://news.bbc.co.uk/2/hi/europe/3536308.stm
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