Saturday,
November 03,
Move Away From "Italian" Mob
Movies to Other Ethnicities ?
The
ANNOTICO Report
Director
Mark Levin ("Untouchable) says "We're ready for the new ethnic
variety on the 21st century [mob movie],"
Larry Turman, a veteran producer ("The Graduate") and
professor and director of the Peter Stark Producing Program at the
The new films may
ultimately reflect simply the pragmatism of today's filmmakers. Why invite
comparisons to Mafia masterpieces like "The Godfather" when one can
carve a new niche within the genre?
FRIDAY SHOW: New Faces in Mob Films
By Christian Toto
November 2, 2007
"The Sopranos'"
much-discussed fade to black did more than close the door on a thrilling mob
serial. It may have helped
Audiences have already seen the Russian mob figure prominently in "Eastern
Promises," director David Cronenberg's
latest meditation on violence, and "We Own the Night" tracks a
nightclub impresario who gets tangled up with a Russian crime family. This
week, "American Gangster" and the documentary "Mr.
Untouchable" trace black mob figures who transformed
While mob movies haven't been the exclusive domain of Italians witness films like 1972's "Super
Fly" and last year's Oscar-winning "The Departed" the new films seem poised to extend the
mob genre in potentially intriguing directions assuming that th
ey don't fall back on the kinds of stereotypes that
could be applied to mob families of any ethnicity.
"Mr. Untouchable" charts the rise of Nicky Barnes, a flamboyant
gangster who could slip out of any legal entanglement. "Mr.
Untouchable" director Mark Levin considers "American Gangster" a
"breakthrough film." While urban gangster films aren't new, a film
starring Denzel Washington could have significant resonance in the culture.
"We're ready for the new ethnic variety on the 21st century [mob
movie]," Mr. Levin says.
One reason mafia movies tap into the cultural zeitgeist is how they play on
archetypal American themes. Nicky Barnes' ascent was made possible, in a way,
courtesy of capitalism. "They sang the national anthem at all their
parties," Mr. Levin says of Nicky's crew. "There was a realization
that only in
The switch to a more diversified mob scene also reflects a growing interaction
between actual mob families. Some black gangsters, for example, learned their
trade from their Italian peers. A few picked up some nasty habits while
incarcerated alongside established Italian mobsters. Nicky Barnes grew up, and
played stickball, with Matty Madonna, a famous
mobster.
Larry Turman, a veteran producer ("The
Graduate") and professor and director of the Peter Stark Producing Program
at the
A changing
Italian mob movies center heavily on the family, one reason why these
stories connect with the public at large despite the off-putting violence.
Joaquin Phoenix's character in "Night" bonds with the Russian
family that owns his nightclub, and the earlier scenes
of him breaking bread with the family are among the movie's strongest moments.
"Eastern Promises" touches on, albeit not always successfully,
similar blood ties.
The new films may ultimately reflect simply the pragmatism of today's
filmmakers. Why invite comparisons to Mafia masterpieces like "The
Godfather" when one can carve a new niche within the genre?
http://washingtontimes.com/apps/pbcs.dll/article?AID=/20071102/ENTERTAINMENT/111020032/1001
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