Sunday, April 13, 2008

'My Brother Is an Only Child' - Sibling, Political Rivals in 1960s Italy

The ANNOTICO Report

 

The movie is a sweet, gently real portrait of two brothers coming of age in 1960s Italy and at the same time aswim in the muddy waters of postwar European politics,  which flips from dark to light moods and back with suave, unpredictable dexterity.

 

MOVIE REVIEW

'My Brother Is an Only Child' (sibling, political rivals in 1960s Italy)

Chicago Tribune                                                                                                                                                                                                                                             

 By Sid Smith

Tribune arts critic

April 13, 2008

 

The fey illogic in the title of "My Brother is an Only Child" hints at the style of this funny-sad film, which flips from dark to light moods and back with suave, unpredictable dexterity.

The movie is a sweet, gently real portrait of two brothers coming of age in 1960s Italy and at the same time aswim in the muddy waters of postwar European politics. The brothers live in a rural area in cheap temporary quarters while awaiting long-promised, government-subsidize housing--a wait that, as years go by, resembles the tramps' futile patience for Godot.

That's just the backdrop allowing director Daniele Luchetti and screenwriters Sandro Petraglia and Stefano Rulli ("The Best of Youth") to explore two rich, well-delineated characters. The hero, Accio (Elio Germano), is the younger brother, and he has the mix of resentment, rebellion and cheekiness shared by a lot of younger siblings. He bristles at authority, tied in his mind to his older brother's bullying horseplay . Accio is the family black sheep, something of a bully himself and constantly at odds with parents and siblings. He abruptly leaves what he finds to be the hollow piety of the seminary, only to fall in with local fascists still loyal to Mussolini's vision of Italy--figures not that dissimilar to our own later skinheads.

Accio succumbs to this noxious group partly in reaction to his brother's ardent communism. That brother, Manrico (Riccardo Scamarcio), is a glum, moody, womanizing idealist--a turbulent firebrand portrayed by Scamarcio with something of the mien and nascent menace of a young Johnny Depp. In the early years, Manrico's communism is youthful zeal, but, as time passes, as Accio rejects fascist violence, Manrico becomes more entrenched in left-wing politics and even bits of terrorism. Accio shifts to Manrico's political viewpoint, but he's nowhere near the idealogue, more a resigned individualist than tireless activist. That difference in the brothers' tem peraments--zealot vs. pragmatist--comes to a head in their relationship with the same woman, Francesca (Diane Fleri), Manrico's girl, but Accio's friend and flirtation.

Luchetti's camera lingers and his pacing is sometimes too leisurely, but the movie blends pastorale and politics with uncanny ease and fluidity. It's a raucous family drama--emotions erupt unpredictably and swing from joy to anger with recognizable naturalism. And it's a history lesson, a look at '60s strife inside a corner far removed from our more familiar American images of that era. It's also brightly performed, from sullen, boorish, yet charismatic Scamarcio to the instinctive, charming, infuriating characterization by Germano, who renders Accio an inimitable, memorable fellow.

In Italian, with English subtitles.

sismith@tribune.com
- - - - -
No MPAA rating (contains adult language, violence, and some mild sexual conten t).
Running time: 1:48.
Opening: April 11 at the Music Box Theatre.

www.chicagotribune.com/entertainment/movies/chi-11-my-brother-is-an-only-child-review,1,2964286.story

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