Thursday, April 24, 2008

Italy and US "Spoleto Festivals" Renew Ties Ended 15 years Ago

The ANNOTICO Report,

 

Founded by Composer Gian Carlo Menotti  who, in 1958, founded the Italian festival in the Umbrian hills 80 miles north of Rome. Mr. Menotti founded Spoleto U.S.A. in Charleston, S.C. in 1977.

 

Once a very prestigious Festival in both countries, Menotti's grew tired of local USA interference and their reluctance to his appointment of his son, severed ties in 1993. insistence on handing the reigns over to his son,  Francis Menotti caused irreparable friction, and a disconnect.

 

After Gian Carlo's death, the first Festival under Francis's helm was not successful, and he was replaced by the Italian Government that substantially subsidizes the Festival, and reopened the door to US collaboration.

In what appears to be a petty gesture, no works by Gian Carlo Menotti are on the schedule. Even worse, No Italian works of any nature seem to be on the two week US Schedule. This "reunion" has a bitter taste!

 

 

Spoleto Festivals to Renew Their Ties

 

New York Times

By Daniel J. Wakin 

April 24, 2008

 

No sparks yet, but the passion is rekindling.

The Spoleto Festival U.S.A. and its long-lost partner in Italy, the Festival of Two Worlds in Spoleto, Umbria, have announced that they will renew an association that ended 15 years ago.

The two arts festivals say they are discussing at least one joint opera production for the summer of 2009. Spoleto U.S.A.s music director, Emmanuel Villaume, is to conduct at the Italian festival this summer. And there is even talk about forming a single orchestra, though that possibility so far appears remote.

Beyond that, officials refused to offer more details.

This is the beginning," said Nigel Redden, the general director of the American festival in Charleston, S.C. "We share a genetic makeup, even if its not a matrimonio," he added, using the Italian word for marriage.

Giorgio Ferrara, the new director of the Italian festival, said of a collaboration: "The desire is strong. Im convinced it should be done." He said he foresaw collaboration on opera, theater works and a joint orchestra, though he said high costs would make the orchestra a difficult goal.

The rapprochement was set in motion by the death last year of the composer Gian Carlo Menotti, who, in 1958, founded the Italian festival in the Umbrian hills 80 miles north of Rome. Mr. Menotti founded Spoleto U.S.A. in 1977, and for a time the two festivals shared top staff members, an orchestra, a chorus and chamber music programs.

But after the 1993 season Mr. Menotti cut ties with the American festival at a time when it was having money problems and after years of tussling with local officials. The "subtext," Mr. Redden said, was Mr. Menottis desire to impose his son, Francis, adopted as an adult, as director of Spoleto U.S.A.

In 1997 Francis Menotti took over as artistic director of the Italian festival, although his fathers influence remained strong, and relations between the festivals remained chilly. Last summer was the first edition since Gian Carlo Menottis death and was subject to criticism, Mr. Redden said. "Apparently it was quite unsuccessful," from both the point of view of audiences and ticket sales, he said.

Meanwhile tension had been growing between Francis Menotti and Italian officials in recent years. In late November the culture minister, Francesco Rutelli, effectively ousted Mr. Menotti and put the festival under the control of Mr. Ferrara, a film and theater director. A ministry statement said the intention was to restore the festivals "glorious past," noting that public money had paid for the restoration of many spaces the festival used.

Mr. Redden blamed the Menottis for the festivals 15-year separation. "It was a one-way street," he said. "Now that Francis has left, it just makes sense that we establish a partnership that is different from one we had before."

The phone at a number on the Spoleto festival Web site still controlled by Mr. Menotti was not answered Wednesday. The site, www.spoletofestival.it, makes no mention of the 2008 season and still contains details from last summer. The new managements site is www.festivaldispoleto.it.

Mr. Redden said he and Mr. Ferrara had begun discussing a collaboration almost immediately after Mr. Ferraras appointment, and they visited each other in their respective countries.

In the first sign of collaboration Mr. Villaume will conduct "Padmbvatn," a rarely heard opera by Albert Roussel, to open the Italian festival this summer. Sanjay Leela Bhansali, a Bollywood film director, will handle the staging.

Mr. Redden declined to discuss the proposed operatic co-production for 2009. Alessio Vlad, who is overseeing the music program at the Italian festival, said Mr. Redden had suggested the obscure opera "Louise" by the French composer Gustave Charpentier. That presented a problem, Mr. Ferrara said, because he hopes to organize each festival around a country, and France is having its turn this summer. He said the matter was still up for discussion.

The Italian festival this year is exceptionally flush, having received $7 million from the national government, out of a budget of $11 million. The rest comes from local government and private sponsors. The total is about twice last years budget, though it was unclear what the former management spent because it has not provided an accounting, Mr. Ferrara said.

Mr. Ferrara put together his program in a quick four months. The offerings reflect his background in theater: there is a greater proportion of dramatic works compared to instrumental music, dance and opera pieces, which he said was an effort to correct a past imbalance.

The programs include several French plays, a "Threepenny Opera" directed by Robert Wilson, world music ensembles, a performance by the Orchestra of the 18th Century conducted by Frans Bruggen, chamber music concerts dedicated to Messiaen and Ravel, and an evening of male dance including Savion Glover and others. The festival closes with a concert by the London Symphony Orchestra, conducted by Daniel Harding.

No works by Gian Carlo Menotti are on the schedule.

 

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