This is particularly addressed to those who would
say: "Ignore Defamation".
You say, who could be so "dense" as to say that?
Sad to report, just this past week, a "so called" leader of the Italian
Community in one of our mid sized cities!
This "Soprano" (Read 'Castrati'), This "Spaghetti Italian" (Read an
I-A who only
recognizes their Italian and Italian Culture when it served to them
on a plate),
This "Quisling" (Read the "The Enemy Within"), and ...well you get
the picture.
Now if this "Cafone" thinks this dialogue Defamatory, I hope he will
take his
own advice, and "Ignore Defamation", But NOT what Mr. Giordano writes
below!! [;-).
============================================
Identity Crisis: Stereotypes Stifle Self-Development
By Joseph Giordano
------------------------------------------
Psychologist, director of the American Jewish Committee's Center
On Ethnicity, Behavior and Communications and is co-chairman of
the Italian American Media Institute.
------------------------------------------
There is hardly an ethnic group in American society that doesn't feel
maligned by
the media. Although analysis of the media's limited viewpoint often
focuses
on
racial minorities, white ethnics and national minorities also resent
stereotyped, negative or unbalanced portrayals.
What the media that perpetrate them choose to ignore is the extent to
which
ethnic consciousness shapes individual identity. Mass media practitioners.
particularly, find it easy to forget their viewers' history as children
and
grandchildren of immigrants. They fail to realize how this immigrant
heritage
becomes a sharper of values and attitudes that are transmitted through
generations and continue as vital forces in their descendants' lives.
This tendency reflects our new understanding of the role this history
plays
in identity. In fact, research in the field of mental health confirms
a deep
psychological need for a sense of peoplehood, for historical continuity.
Our
ethnicity often plays a major role in determining how we feel about
ourselves, how we work, how we play, how we celebrate holidays and
rituals,
how we feel about life, death, and illness.
As a reflector of society's values, the media have a tremendous impact
on the
shaping of our personal and group identities. Radio, television, films,
newspapers, magazines and comics can convey the rich texture of a pluralistic
society or they can, directly or indirectly (by omission and distortion),
alter our perceptions of other ethnic groups and reinforce our defensiveness
and ambivalence about our own cultural backgrounds. As an Italian-American,
I've realized this myself when comparing the ethnic invisibility of
'50s
television with modern shows that concentrate on Mafia hit men and
multiple
biographies of Mussolini. Having squirmed as I watch some of these
portrayals, I can empathize with Arabs who resent being characterized
as
villainous sheiks, Jews seen as mendacious moguls or even the current
vogue
for matching a Russian accent with a kind of oafish villainy. Although
such
stereotypes may or may not serve political ends, they share the cartoonlike
isolation of a few traits that ignore the humanity and variety of a
group's
members.
What is the impact of ethnic stereotypes on TV and in film on how people
feel
about themselves and how they perceive other ethnic groups?
Although research in this area is limited, what is available suggests
that TV
and film's portrayal of ethics does have a deleterious effect on perceptions
of self and others. In my own clinical work, I have found that minority
children and adults will often internalize negative stereotypes about
their
own group. Other studies have shown that ethnic stereotypes on television
and
in the movies can contribute to prejudice against a particular group
-
especially when the person is not acquainted with any members of that
group.
For example, in one study of television fiction, both white and black
children indicated fairly high levels of acceptance that what they
were
viewing was like "real life," including stereotypes about their own
ethnic
groups.
Teaching Prejudice
In studies of youngsters who commit hate acts - desecration of religious
institutions, racial and anti-Semitic indigents - many youngsters apprehended
reported they got the idea of performing vandalism from news coverage
of
similar acts (the copy cat syndrome). They saw media coverage as conferring
recognition and prestige, temporarily raising their low self esteem.
Add to TV fiction and news the rash of "truly tasteless" joke books,
radio
call-in shows that invite bigoted calls from listeners, late-night
TV hosts
and comedians who denigrate ethnic groups, and the impact on peoples'
perceptions is considerable. While the media cannot be blamed for creating
the bigotry, their insensitive comments establishes a societal norm
that
gives license to such attitudes and behavior.
An important cause of distorted and damaging TV stereotypes is the tendency
of some media executives to view ethnic culture as an "immigrant phenomenon,"
a transitional phase in the process of Americanization rather than
a
continuing influence on people's language, religious lives, arts, politics,
food preferences and so on. Except for a colorful parade here and a
human-interest story there, even ethnic news is sometimes suspect -
"parochial" or "divisive," an encouragement of the nation's "balkanization."
The media often fail to see that for many Americans, ethnic and religious
traditions are still powerful influences. At times, these traditions
conflict
with surrounding values, but they are also sources of strength and
understanding. How they work in second-, third-, and fourth-generation
families can provide a rich store of story ideas and authentic
characterizations for writers, directors, and actors.
Becoming Real
What, then, do ethnic Americans want? Just accurate portrayals of our
lives.
"Feedback" to us of a sense of pride in who we are. Appreciation of
our
special sadness, joys, achievements, faults, humor, the diversity of
our
lifestyles and the common experiences that bind all Americans together
as
human beings.
And what can ethnic groups do to make the media more culturally sensitive?
To
begin with, go beyond complaining and work more closely with media
executives
and the creative community. Applaud the industry when it presents
high-quality, culturally authentic programs. Urge media people to use
such
resources on the ethnic experience as good novels, plays, short stories,
magazine articles, newspaper stories.
Of course, some stereotyping is unavoidable in a simplified media like
television and ethnic groups should understand that. But the media
should
also stop relying on these old negative caricatures. When ethnic groups
ask
for a balanced presentation in programs that reach millions of Americans,
they are certainly not trying to censor the media. They only want to
be shown
as they are - not better, but surely not worse.
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http://www.terry.uga.edu/~dawndba/4500Stereotypes.htm
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