Bisazza Italian Glass Mosaic Tile founded in
1956 in Vicenza, Italy, is based
on an ancient Venetian glass-making method, the company developed an
industrialized process that can replicate and mass-produce what was
once
crafted by hand; each tile is uniformly square, with cushioned and
beveled
edges and no sharp corners.
But more important they have forsaken the mosaic tile work of today
that is
neutral and unimaginative, and become the world leader in innovative
designs
and colors.
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Design Notes
TILE FROM ITALY RISES AND SHINES
Durable and colorful glass mosaics are influencing the U.S. market
By Kathy Bryant
Special to the
Los Angeles Times
June 13, 2002
Anyone who's been dazzled by the more than 10,000 mosaic tiles in the
basilica in Venice's St. Mark's Square or walked over colorful mosaic
floors
in Rome knows that this 5,000-year-old technique and the images it
can so
easily depict has the power to amaze and amuse.
Yet today, most mosaic tile work is neutral and unimaginative, the result
of
makers catering to builders rather than designers.
"The tile industry in general isn't known for being designer-oriented,"
says
Doug Harris, national sales manager of Bisazza Italian Glass Mosaic
Tile.
Bisazza, based in Italy, is working to change that, along with a number
of
other U.S. glass mosaic tile companies, including Ann Sacks in Oregon,
Oceanside Glasstile in Carlsbad, Calif., and Walker Zanger in Sylmar.
"Over the last five years, glass tile use has been growing. Designers
are
always looking at new materials, even if they're old," says Brian Flynn,
president of California Art Tile in the Pacific Design Center. "Bisazza
is
the world leader in innovative designs and colors."
Fabio Novembre, art director of Bisazza, created the company's latest
collection, Smalto, by adding streaks of enamel to individual glass
squares.
This technique, like the others Bisazza uses, is based on an ancient
Venetian
glass-making method.
The company developed an industrialized process that can replicate and
mass-produce what was once crafted by hand; each tile is uniformly
square,
with cushioned and beveled edges and no sharp corners.
Some of Bisazza's mosaics, however, are still partially done by hand,
among
them "Oro," which is made by placing 24-karat gold leaf between two
layers of
glass.
To illustrate the versatility of glass mosaics, the 1998 Academy Awards'
Governor Ball featured two 8-foot-high Oscar statues covered with more
than
80,000 3/8-inch glittery Oro squares.
In San Francisco, a 5-by-7-foot portrait of the late George Harrison
is being
generated from a computer image, with each pixel transformed into a
colored
mosaic tile. "We can take any computer picture and turn it into a trompe
l'oeil-like representation," Harris says.
At the recent International Contemporary Furniture Fair in New York,
Marco
Braga, Bisazza's graphic designer, came up with some fashion-friendly
ideas
to help designers rethink mosaic use.
"Pois" has giant polka-dots in red, blue and black, while "Tartan" translates
textile plaid into glass, and "Pulsar" resembles an Op Art work.
To help interior designers visualize glass mosaic use, Liz Patterson,
manager
of Mission Tile West in Santa Monica, has installed Bisazza's "Le Sfumature"
in viola, a violet color blend merging from light to dark. "We put
this wall
in because glass mosaics are so popular right now. People like their
textures
and durability."
As for toughness, glass mosaics have 0% absorption and so are impervious
to
damage from acids or chlorine, making them perfect for swimming pools
and
outdoor use.
They are also resistant to UV rays and thus fade resistant. On the design
side, their shimmery, translucent look complements water, which is
why
they're often used in bathrooms as well as pools.
"The downside to glass mosaics is they can be tricky to install and
thus
expensive. You have to learn by doing, not from a book," says Flynn,
of
California Art Tile.
With prices for Bisazza glass mosaic ranging from $8.70 to $48.50 a
square
foot, depending on color, materials and elaborateness of the design,
a large
project can prove costly.
The richness in colors can't be duplicated in ceramic tiles, however,
and the
small scale of the individual tiles allows enough flexibility to cover
almost
any shape.
The company was founded in 1956 in Vicenza, Italy, by Renato Bisazza.
Renato's sons, Piero and Marco, have joined the business and are in
the
process of expanding it through showrooms in New York, Barcelona and
Milan. A
Paris showroom will open soon, and Los Angeles is being considered
for
another. The company's biggest market is still in Europe, but Bisazza
hopes
American designers will increasingly begin to recognize the merits
of this
ancient craft.
Locally, Bisazza mosaics may be seen at Mission Tile West, 1207 4th
St.,
Santa Monica, and 853 Mission St., Pasadena, as well as at California
Art
Tile, Pacific Design Center, 8687 Melrose Ave., West Hollywood, and
at Walker
Zanger, 8750 Melrose Ave., West Hollywood, among other locations.
*
Kathy Bryant can be reached at kbryant@socal .rr.com.
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